Nikola Milanović

Figurative paintings and drawings in oil on canvas and chalk on paper. Belgrade.

Paintings

Oil on canvas, 2003–2010.

Don't let go, oil on canvas, 2010, by Nikola Milanović
Don't let go oil on canvas, 176 × 122 cm, 2010
periscope, oil on canvas, 2009, by Nikola Milanović
periscope oil on canvas, 100 × 100 cm, 2009
Merak Inat Bedak, combined technique, 2009, by Nikola Milanović
Merak Inat Bedak combined technique, three panels, each 107 × 157 cm, 2009
room, oil on canvas, 2006, by Nikola Milanović
room oil on canvas, 80 × 60 cm, 2006
evening, oil on canvas, 2005, by Nikola Milanović
evening oil on canvas, 190 × 170 cm, 2005
morning, oil on canvas, 2005, by Nikola Milanović
morning oil on canvas, 190 × 170 cm, 2005
smederevac, oil on canvas, 2005, by Nikola Milanović
smederevac oil on canvas, 115 × 85 cm, 2005
superman, oil on canvas, 2004, by Nikola Milanović
superman oil on canvas, 160 × 130 cm, 2004
serbian matrix 1 & 2, oil on canvas, 2004, by Nikola Milanović
serbian matrix 1 & 2 oil on canvas, 140 × 140 cm and 140 × 120 cm, 2004
autumn-winter, oil on canvas, 2003, by Nikola Milanović
autumn-winter oil on canvas, 120 × 100 cm, 2003
kill the flu, oil on canvas, 2003, by Nikola Milanović
kill the flu oil on canvas, 150 × 30 cm, 2003
on the grass, oil on canvas, 2003, by Nikola Milanović
on the grass oil on canvas, 147 × 99 cm, 2003
love, oil on canvas, 2003, by Nikola Milanović
love oil on canvas, 160 × 130 cm, 2003
lying, oil on canvas, 2003, by Nikola Milanović
lying oil on canvas, 240 × 88 cm, 2003

Works on paper

Chalk and acrylic on paper, 1999–2002, many at large scale.

rest, acrylic on paper, 2002, by Nikola Milanović
rest acrylic on paper, 240 × 179 cm, 2002
carpet, acrylic on paper, 2002, by Nikola Milanović
carpet acrylic on paper, 240 × 179 cm, 2002
Ostoja, acrylic on paper, 2002, by Nikola Milanović
Ostoja acrylic on paper, 240 × 179 cm, 2002
Mina, chalk on paper, 2001, by Nikola Milanović
Mina chalk on paper, 240 × 179 cm, 2001
Kosta, chalk on paper, 2000, by Nikola Milanović
Kosta chalk on paper, 121 × 99 cm, 2000
Vatroslav, chalk on paper, 2000, by Nikola Milanović
Vatroslav chalk on paper, 174 × 124 cm, 2000
checkmate, chalk on paper, 1999, by Nikola Milanović
checkmate chalk on paper, 140 × 140 cm, 1999
Nada, chalk on paper, 1999, by Nikola Milanović
Nada chalk on paper, 140 × 140 cm, 1999
yellow, chalk on paper, 1999, by Nikola Milanović
yellow chalk on paper, 131 × 99 cm, 1999

Statement

From the current series, We live our predictions

The ego, insecure and afraid for itself, tries to foresee and prepare for what it can find in what it remembers; everything else is discarded as unreal and moves into the future moment — into prediction, prognosis, probability. We try to alter the prediction, to raise or lower the probability. We wait for, and foresee, a future projection.

The series of paintings I have begun treats the human being as a screen for projection. The shape of the body, its posture, distort what is projected, as an attempt to influence the probability of what was predicted. The image projected onto the body represents the ego: how we think, or wish, others see us.

I believe a work of art should stand in contrast to what we project as reality. The presence of the unexpected, the improbable, should remind us of what we ignore and what we reject.

About

Portrait of Nikola Milanović

Nikola Milanović, born in 1977, is a painter based in Belgrade who works under the name nikoJart. He grew up surrounded by art and psychology — his father a sculptor, his mother a psychologist — and from a young age has questioned our perception of reality.

He studied at the Faculty of Fine Arts in Belgrade from 2000 to 2005: first in the class of Marija Dragojlović, then in the class of Professor Zoran Vuković and assistant Zoran Dimovski. His work has been shown in group exhibitions, from rented flats, taverns and cafés to galleries. From 2014 to 2019 he ran the NikoJart school of drawing and painting.

He works in oil on canvas and in chalk and acrylic on paper, often at large scale. The human figure is his constant subject.

Contact

Original works and commissions are available by enquiry. Please write with the title of the work you are interested in, or a short description of the commission.